detail

As these dangers became more frequent their march became slower. Already they seemed to have been tramping on, on, endlessly to the mountains’ roots. They were more than weary, and yet there seemed no comfort in the thought of halting anywhere. Frodo’s spirits had risen for a while after his escape, and after food and a draught of the cordial; but now a deep uneasiness, growing to dread, crept over him again. Though he had been healed in Rivendell of the knife-stroke, that grim wound had not been without effect. His senses were sharper and more aware of things that could not be seen. One sign of change that he soon had noticed was that he could see more in the dark than any of his companions, save perhaps Gandalf. And he was in any case the bearer of the Ring: it hung upon its chain against his breast, and at whiles it seemed a heavy weight. He felt the certainty of evil ahead and of evil following; but he said nothing. He gripped tighter on the hilt of his sword and went on doggedly.

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Legend

Color hues in Anduin are provided as hints to sources and types of data. This is a key to the colors used — but distinguishing among them is not necessary for effective use of the system.

 
J.R.R. Tolkien
 
shelfmarks
 
book/section/chapter citations
 
comments
 
(reserved for future use)
 
Taum Santoski
 
default (of no particular significance)
 
Christopher Tolkien
 
John D. Rateliff
 
tags
 
folios/pages; “main flow”
The River Anduin, depicted in Ted Nasmith’s “The Argonath,” courtesy the artist and Sophisticated Games